In the Silver Collection we use the projected light to give an emboss effect to the paintings, thereby the bright ‘tint’ of the painting comes from the shifted lighting of black surfaces.
The sound reacted vortex dynamics of the projected lighting transforms the vision of the painting into a sense of moving, brightening relief, which indicates a three dimensional space in feelings.
In this way, as a consequence of the spatial expansion, the resolution of the sense increases on the level of perception. The light’s pulsation and the reiterating circulation of the sound bring about continuity in time.
Silvered Light I
Paint Mapping installation, 2014
Oil painting: Éva Köves Digital animation: Andrea Sztojánovits
Size: 90×125 cm
The bright tint of the painting comes from the shifted lighting of black surfaces. The sound reacted vortex dynamics of the projected lighting transforms the vision of the painting into a sense of moving, brightening relief, which indicates a three dimensional space in feelings.
Silvered Light I was exhibited at:
LanguAGES of LIGHT 09/26-12/31/2015, Kepes Institute, Eger, Hungary
Oscillation – A38-MVM Light painting 02/22-23/2014, A38, Budapest, Hungary
Silvered Light II
Paint Mapping installation, 2014
Oil painting: Éva Köves Digital animation: Andrea Sztojánovits
Sound: Gábor Borosi
In this spatially extended composition the audioreactive refractions of light that develop along the streamlines connecting the fragmented intersections create the relationships between the elements. The light throbbing, the repetitively circulating sound provide continuity in time.
Silvered Light II was exhibited at:
Oscillation – A38-MVM Light painting 02/22-23/2014, A38, Budapest, Hungary